Mastering….is it just another in and out tray??
Hi guys
If you follow me on twitter, you may have noticed my mini breakdown on friday night
. I thought i had better give some kind of explanation. So here goes….
I was checking my new followers, and came across some kind of audio based referal service. So i clicked on the “mastering” heading (well i’m going to aren’t i
). In there, i see so called mastering services hawking their wares for £25 a track. Now we all know this goes on, and normally i couldn’t care less, but on this occasion it got to me. It was maybe down to the fact i had just handed over PS010 to public spaces, which i have been working on for a few weeks between jobs. Let me explain…I come from a rock based background…guitars bass and drums(vocals optional :p), so the public spaces compilation was quite a different deal for me. However…when i handed that over, a small part of me went with it.
I’ve said before in my blogs etc, mastering is the very first thing in my life, that i have wanted badly enough to actually keep going at, and anyone reading who has fought through the same thing knows how damn hard it can be. So many facets, so many tools… so many setbacks!. I certainly never thought about getting rich out of it, i invested 2 years of my life and all the money i had left into trying to make it happen.
So….with my fury at reading about cheap “mastering” , i tweeted
“people are mastering for £25 per track. i cant force myself to knock “shit” out that fast. so what am i gonna learn to do next
“…..
It may have a smiley face on it, but dont be fooled, for some reason, the bottom had just fallen out of my sad little world!!. Then, a follower who i dont think i’ve ever spoken with before replied with “45 minutes a song is too fast? That’s a pretty good living, no? There’s always investment banking…“ . i have no idea if the guy was serious, but either way, it was a wake up call to me, that as with every other god forsaken business on the earth… there are too many people doing the wrong job! .
I then went on to tweet something along the lines of…”i’ve wasted my time learning this stuff”, to which all my twitter mates started asking what was wrong and trying to boost me back up etc, and thanks guys!!, the net may have many bad sides to it, but through it, i’ve met many like minded intelligent people. I could only dream of finding such friends in the cold reality of the semi caveman society we now live in.
So…back to the point. Is it just another job?. I know I haven’t been doing it long compared to some, but long enough that its no longer a glorified hobby. My approach is still the same….it gets my very best, and sometimes, even when the material isn’t my usual listening style etc, i get a feel for it, get inside it, to be able to make that material all I possibly can.Trust me when i say, theres always something i’m not happy with in a finish, something i couldn’t quite fix…or some trade off in sound somewhere. I actually blame myself for not being able to fix mix mistakes!
All i want, is to replace someone that doesn’t deserve that seat, in front of the great monitors etc. I’m actually worried about what i will go onto, if i cant manage to make this work. Watching a comedy panel show the other night, someone made a comment about the moon landing astronauts, how everything after that must seem very pale/average.
After 25 years of doing complete passionless rubbish, just to put bread on the table for another day of monotony, and also discovering that i’m only about 76pence in the pound, i’ve had a small taste of that moon landing. There wont be any going back, one way or another.
Thanks for reading my sad little heart felt rant. I thought i’d better explain
Tone
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Tone, Fernando here.
First of all, PS010 will ALWAYS be a part of you. You can’t imagine how thankful we all are at PublicSpaces Lab, and I think I can also speak for the artists involved, that you took and excelled at the challenge we proposed to you.
Further more, only good things can come out of it, believe me.
Things will not stop here and your work will be recognized because of just one reason: You are a master at what you do. Period.
So forget about all those so called mastering companies, mastering experts and the likes.
They are not worth your time.
Focus on yourself, on the people that you can count on and on those who love you.
Focus on your skills and don’t be shy to show them to the world.
Because, if there is something I have learned with the PS010 process is that not only you are an excellent mastering professional but you are also one hell of a person.
And that, my friend, is not easy to come buy these days.
Cheers,
Fernando
oops, typo alert:
And that, my friend,is not easy to come BY these days.
Have you considered sending a test track to one of these £25 outfits? It could be worth the money for the hours of laughter you’ll get at the result. You’d also have a quick and easy reference to play to any client stupid enough to mention how cheaply they can get it done elsewhere.
Love your blog my friend… Will definitely be back. GREAT Article!
Just found you via Nick Maxwell. You know what would be interesting to a lot of people (at least I think it would)? To hear a well-done master next to a “fly-by-night” master. so many people think mastering is slapping a limiter on the master fader. To have a side-by-side comparison would be awesome, might open the eyes of some of the naysayers.
I can tell you, I just got done listening to the PS010 release and it sounds frickin phenomenal. not just each track, but TRACK TO TRACK, and that’s gotta be the mastering.
I know how you feel though, from day to day I’m either a genius or a failure (sometimes a failed genius). It comes with the territory, but it’s in your blood. Don’t kid yourself, you couldn’t walk away if you tried, and for our sake you shouldn’t.