Public Spaces weekly article
Hi guys, thanks for visiting my humble little blog site
Just to let you all know, this week I was invited to write a weekly Audio article for Public Spaces Netlabel (@publicspaceslab / http://lab.pubspaces.com) . I’m pretty excited about this, as I do seem to be heading down the writing road as well as hands on doing the stuff (I’ll never stop that 
). Seems like a great opportunity to hand out some info that may help readers polish their sound skills, and become more effective in today’s competitive and ever changing music industry.
Now I just have to work out some stuff to waffle about
Check out their website, and keep watching for upcoming posts.
Later people
Tone
What i’m about
Check out Publicspaces for other articles written by myself and Ableton/synth expert Nick Maxwell, plus plenty of quality free music downloads.
Hi. thanks for stopping by. My names Tony a.k.a Pure-Tone.
Mastering engineers can be renowned for being unapproachable, sometimes arrogant and slightly secretive. This can be due to a few things…spending too much time with computers, disappearing farther into audio than is healthy for a person, and possibly a feeling of elitism. Well you can forget all of that with me!. I may spend the day with working with computers, but I have no intention of becoming one. If you want to chat about audio/ask questions etc, come find me on Twitter . If I’m not working on audio, I want to be talking/writing about it.
So whats this blog all about?? . mainly Mastering and general audio etc, but its also about the road that brought me to where i am now. hopefully, some of the readers will take away a few positive points to help them make the most of their own potential.
Take it from the top!!
took to learning guitar at about 13.became a reasonable player, including some good lead work. first guitar was a strat….only a squier, but one of the early ones with staggered alnico pickups etc…..i digress , but even at that age people would comment on my sound. i was never the most technical player, sure i could do some fancy sweeping (no..not with a broom ) but my sound was always my best attribute.
Early recording endeavours
Dad owned a small local studio. 16 track 2 inch tape multitrack and a huge soundcraft desk, neither of which were in great working order. Revox 1/4 inch open reel, a few good mics, including u87,414 etc, very minimal processing, 1 stereo comp, 1 delay/adt. plate reverb then a yamaha rev 7 in the late 80′s. Oh….not to forget…the biggest pair of wall mounted Tannoys you ever saw!. I feared for my life when walking under those. The material we produced was nothing to be proud of, but at a time when most musicians could only dream of such luxuries, we were pretty lucky.
this page is under construction. doin bits as i get time
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Recent
- New site
- Billy Cobham live remaster
- Mastering….is it just another in and out tray??
- Public Spaces weekly article
- Fagen’s “countermoon”
- Tweaking the curve
- My take on loudness…….and other stuff
- Level 42 “Sandstorm”
- Holdsworth stuff as promised
- Getting a final out of Holdsworth
- Compression
- Mastering EQ 101
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- August 2009 (1)
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- June 2009 (2)
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